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	<title>Bello Records &#8211; HighClouds</title>
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	<title>Bello Records &#8211; HighClouds</title>
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		<title>Any Other &#8211; Sonnet #4</title>
		<link>https://highclouds.org/any_other_sonnet/</link>
					<comments>https://highclouds.org/any_other_sonnet/#respond</comments>
		
		<dc:creator><![CDATA[Giuseppe Mancuso]]></dc:creator>
		<pubDate>Thu, 07 Jan 2016 13:16:11 +0000</pubDate>
				<category><![CDATA[New Videos]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Any Other]]></category>
		<category><![CDATA[Bello Records]]></category>
		<category><![CDATA[Sonnet]]></category>
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					<description><![CDATA[[su_dropcap style=&#8221;simple&#8221;]S[/su_dropcap]he didn&#8217;t know what to do, this young woman. She was so tempted to let it all go to]]></description>
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<p>[su_dropcap style=&#8221;simple&#8221;]S[/su_dropcap]he didn&#8217;t know what to do, this young woman. She was so tempted to let it all go to waste. She didn&#8217;t have a band anymore but the new songs she heard in her head just won&#8217;t stop playing. And so here she is now: <em>Adele Nigro</em> is the driving force behind rock trio <em>Any Other</em>, which includes <em>Erica Lonardi</em> on drums and <em>Marco Giudici</em> on bass.<br />
<span id="more-12087"></span></p>
<p>If you were to blind test their songs, you would say they were remasterings of forgotten tapes  from 1994 that had somehow got lost in the archives of an indie college radio buried deep in the American Midwest. As you may guess by the slight Italian colouring of <em>Adele</em>&#8216;s impeccable English though, they come from the infinitely flat Northern Italy and are based in yellow-fogged Milan. They don&#8217;t have much to do with the mid-Nineties either, except those being the years they were born in. This space-time gap is of very little importance: they wear the influence of <em>Built To Spill, Pavement and Modest Mouse</em> genuinely, with pride, with no mystification. If we were lazy journalists, we would use the shared ownership of a vagina to link <em>Adele</em>&#8216;s expressive and confident voice to <em>Sleater-Kinney and Liz Phair</em>&#8216;s &#8220;Exile in Guyville&#8221; as well. The spirit of the Nineties is well and alive in their music, with its crafty songwriting, smudged, troubled but firm, and a strong sensitivity with no hint of schmaltz. Straight to the point, raw but somehow delicate, like electric guitars that turn acoustic or poetry that disguise itself as prose, <em>Adele</em> takes no prisoners, and she does that noiselessly. Read that directly in her eyes in the video for &#8220;Sonnet #4&#8221;, in which her emoting face commands the camera like she was a grunge <em><a href="https://www.youtube.com/watch?v=RIHAwNSc8mY"><u>Mina</u></a></em>.</p>
<p>[su_youtube url=&#8221;https://www.youtube.com/watch?v=w3jPBp8Olh8&#8243;]</p>
<p>&#8220;Sonnet #4&#8221; is taken from the band&#8217;s debut album, &#8220;<a href="https://anyotherband.bandcamp.com/album/silently-quietly-going-away"><u>Silently. Quietly. Going Away</u></a>.&#8221;, which came out earlier in 2015 via <em>Bello Records</em>, the first music label owned by a cat.</p>
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