Geotic is the solo side project of Baths‘ Will Wiesenfeld. When he doesn’t team up with Morgan Greenwood to craft the much successful glitch pop of his most famous moniker, the 29 year old producer from California satisfies his interest in different types of music through Geotic. A project started a couple of years before the first Baths album was released, Geotic represents a year-by-year case history of Wiesenfeld’s evolution as a musician.

It’s a prolific experiment, too: over the course of ten years, Geotic has released nine albums that see Wiesenfeld methodically exploring a particular sound or instrument. Almost every album he’s ever recorded features songs that coherently keep more or less the same length. As someone who sees the long player form not as a convenient way to group songs together but as an art form in its own right, Wiesenfeld is an albumwriter rather than a songwriter. His songs always function as part of a bigger whole, becoming small containers where he can take that larger concept he explores through the LP form and analyze it molecule by molecule.

From the lo-fi ambient guitars and strings of “Eyes” (2008) and the rugged atmospheric pads of “Hearth” (2010) to the sacral drone of “Realms” (2010), Wiesenfeld‘s work has an encyclopedic quality — it’s as if he wants to compile a sonic list of all the possibilities a sound, a genre or an instrument can offer. In a way, he lets himself sink in a particular sound and let music guide him, and not the opposite way around.

With time, Geotic got rhythmical: the album he released in 2017, “Abysma”, is an airy microhouse record that keeps a steady pace of 120 BPM throughout its entirety. Though, the question remained: was it a well-defined step towards a new direction on which he’d be traversing for a while or just yet another brief experiment in an already lengthy list of fleeting try-outs? His new album “Traversa” suggests the correct answer might be the first.

From the first few seconds of the opener “Knapsack,” already released as a single anticipating the album, Wiesenfeld delivers capturing fairytale-like synths placed over an engaging house beat while conveying a feeling of pastoral, rural simplicity at the same time. The main novelty brought by “Traversa” though, is pretty fast to come, and it lays in Wiesenfeld‘s vocals. He already used vocal layers in the past, like on “Sunset Mountain (Eon Isle)”, built entirely on holy-sounding vocal pads, but here his voice is delicate and clear and is used in an indie pop manner: it turns a track like “Knapsack” into a proper pop song, marking a radical shift from any of his earlier works.

The same happens on the other advance single, “Gondolier,” a darker track filled with watery synths. Both tracks are slightly reminiscent of groups such as The Postal Service, as if the early aughts project by Ben Gibbard underwent a club remix. Not all of “Traversa” features the warm, loose murmurs of Wiesenfeld: yet, when he does not sing, shimmering synths and keyboards replace his vocals and keep the melodic outcome of the album intact, like on the liquid and lyrical “Swiss Bicycle” and on the more cinematic “Harbor Drive.” They’re not as powerful and poignant as the two singles, but still carry more sensitivity than any of his older tracks.

The album ends on a redundant note, with the unnecessary yet danceable closer “Maglev,” yet the final impression one can get from from “Traversa” is undoubtedly positive. It’s a tender album that however is not completely intimate: it looks outwards rather than inwards—the press release itself presents the album as a collection of polaroid pictures shot while travelling—and holds a spatial vibe, as if Wiesenfield‘s goal was to reach a common place for him and his listeners to contemplate life. The place he ultimately finds, though, remains confined within the four walls of his room or in the surroundings of his house, and elements of field recording such as doors closing or objects moving occasionally pop up (“Swiss Bicycle). “Somewhere I might be/A modern human being/But not here, not with a hundred thousand trees/Miles taller than me,” he sings on “Knapsack.” The journey goes on, and so does the research of the most familiar and most comforting of sounds.

BATHS‘s Will Wiesenfeld has just shared “Knapsack”, the opening track of his upcoming album to be released under the moniker Geotic. The song, which follows up on “Gondolier”, is definitely too playful to be pure ambient and too circular to be labbeled as pop music. In any case, it is a pastoral and bright electronica track with soothing layers and subtle natural noises. Tune in below.

BATHS‘s Will Wiesenfeld has just shared a new song under his ambient pop moniker Geotic. The melancholic electronica pop track, “Gondolier”, is the first single off of his new album to be released this fall. The song was inspired by a Venetian boat trip and evokes feelings of anger and betrayal. About the upcoming 8-track projet, the artist stated:

[su_quote]The whole inspiration of this record is borne of that feeling when travel is good and you can let your brain go where it wants to. From the very beginning, music was more transportive for me than anything else. In all forms of media, I’m constantly gravitating towards things that allow me to feel something different from my day-to-day life.[/su_quote]

As many of you know, Highclouds was created three years ago and we are throwing its birthday party at Benelux bar in Brussels on March 16. American artist BATHS will join us after his concert at Botanique to perform a DJ set.

It’s not the first time that Will Wiesenfeld aka BATHS comes to Belgium. This time, he will introduce his latest album “Romaplasm” to his Belgian fans. On this LP, “Yeoman”, “Out” and “Extrasolar” are the epitomes of his new take on pop while keeping his singular experimental approach. Ahead of his concert at the Botanique and DJ set for our party, we decided to chat with him over Whatsapp about his favorite underwears, puppies and what we can expect from him this time around.

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Baths‘ aftershow will take place right after his concert in Botanique. Buy your tickets for the gig here and you will get a 50% discount for our freaky party (keep your ticket!). Join us from 9PM: as we always see things big, we also invited rising indie pop star Jinka, local drag performer Kimi Amen, and Bruxelles Congres‘ indie pop party Mercurochrome to come slay the house for this unforgettable night. More info here.

Will Wiesenfeld aka BATHS is poppier than ever on his latest single “Out”. As he detailed it before, the track, which was released on Coming Out International Day, has a double meaning. Recently, he shared a self-directed and DIY video to go with it.

About those visuals, he detailed:

[su_quote]This video is inversely proportional to how seriously I take making music — meaning it’s profoundly dumb. I’m proud of it though. I think. I take music seriously, but I don’t take myself seriously at all, so I love to play with that duplicity online and in video work[/su_quote]

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BATHS new album “Romaplasm” will be released on November 17 via Anticon.

Connect with the artist via Facebook, Twitter, and Instagram.

Will Wiesenfeld, also known under his ambient moniker Geotic, is back as Baths. Recently, the producer shared a song for an original game called ‘Dream Daddy: A Dad Dating Simulator‘ and it looks like his new album ‘Romaplasm’ could follow the smae artistic direction. Indeed, Baths detailed into a press release that video games (among other things) inspired this new project.

[su_quote]I’m not as emotive with real world things as I am when I’m neck deep in anime, video games, books or comics. … I wanted to be honest with myself that this is where my heart lies and where I get the most emotion out of life. I wanted a record that mirrors those emotions but in an indirect way,[…] I’m trying to capture feelings that might be more obscure when translated to music, but always seem to resonate with me.[/su_quote]

The first single, ‘Yeoman’, was also debuted with a lyric video and you can stream it below.

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‘Romaplasm’ track list:
1. “Yeoman”
2. “Extrasolar”
3. “Abscond”
4. “Human Bog”
5. “Adam Copies”
6. “Lev”
7. “I Form”
8. “Out”
9. “Superstructure”
10. “Wilt”
11. “Coitus”
12. “Broadback”