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	<title>XXXChange &#8211; HighClouds</title>
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		<title>Prince Rama &#8211; Bahia</title>
		<link>https://highclouds.org/prince-rama-bahia/</link>
					<comments>https://highclouds.org/prince-rama-bahia/#comments</comments>
		
		<dc:creator><![CDATA[Giuseppe Mancuso]]></dc:creator>
		<pubDate>Mon, 14 Dec 2015 16:16:45 +0000</pubDate>
				<category><![CDATA[New Tracks]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bahia]]></category>
		<category><![CDATA[Carpark Records]]></category>
		<category><![CDATA[Prince Rama]]></category>
		<category><![CDATA[XXXChange]]></category>
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					<description><![CDATA[[su_dropcap style=&#8221;simple&#8221;]P[/su_dropcap]rince Rama is a music machine shaped like a cubic prism and all clad in holographic material, which spits]]></description>
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[su_dropcap style=&#8221;simple&#8221;]P[/su_dropcap]<em>rince Rama</em> is a music machine shaped like a cubic prism and all clad in holographic material, which spits utopist space-time extravaganzas in garish choreographies of laser beams, uncombed hair and pop songs. Also, they&#8217;re fucking crazy.</p>
<p><span id="more-11518"></span></p>
<p>The psych-dance duo, composed by sisters <em>Taraka</em> and <em>Nimai Larson</em>, a foot in Brooklyn&#8217;s music scene, the other in the hippest circuits of the American art world and a third transcendent one firmly rooted in Vaishnava metaphysics, was discovered in 2010 by <em>Animal Collective</em>&#8216;s <em>Avey Tare</em>, who released their lavish &#8220;Now Age&#8221; deranged sci-fi neon fantasies on his imprint Paw Tracks. &#8220;Xtreme Now&#8221;, their forthcoming album, is going to be out on <em>Carpark Records</em> instead, March 4th, and you can listen to the first single, a shimmery edenic Italo Disco jam titled &#8220;Bahia&#8221;,  below.</p>
<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/236526900&#8243; params=&#8221;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;visual=true&#8221; width=&#8221;100%&#8221; height=&#8221;450&#8243; iframe=&#8221;true&#8221; /]</p>
<p>Isn&#8217;t it something? With its funky energetic synths lifted straight from the kind of semi-forgotten dance songs that charted low in 1987, &#8220;Bahia&#8221; is an irresistible sugar rush from the future as it was imagined thirty years ago. This is what you would hear on the radio if Doc&#8217;s Delorean sprinted up all the way to 2067.</p>
<p>2067 is the year the whole &#8220;Xtreme Now&#8221; universe is set in. According to what the Larson sisters say, the album was written while they were living in a black metal utopian commune on the island of Vormsi, off the coast of Estonia. There, inside a Viking ruin, <em>Taraka</em> experienced an episode of time-schizophrenia, during which she existed in both the Middle Ages and the year 2067. In the future she saw, museums are sponsored by energy drinks and art merged with extreme sports. &#8220;Xtreme Now&#8221; is the score to that world, where creating and defying death are one thing. Weird back-story aside, the new songs, on which the girls worked with <em>Alex Epton of XXXChange</em>, are going to be powerful and absolutely catchy. </p>
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