Matteo Liberatore’s latest venture, Molto Ohm, feels less like a traditional music project and more like stepping into a carefully glitched universe. It’s a sonic and visual deep dive into what it means to live inside our screens, which constantly promised health, beauty, love, connection, yet often left feeling strangely hollow. Liberatore blends his background in improvised and creative music with years of freelance sound work in advertising, plus vivid memories of teenage nights spent dancing in Italian clubs. The result? A sound that’s both intimate and unsettling, seductive yet alienating. Live, Molto Ohm performs alongside a towering vertical projection of screen recordings, 360° clips, iPhone fragments and stock footage, creating an immersive world that’s one-third absurdist club night, one-third art installation, one-third cinema.
Now comes “Nezovyl,” a new track featuring Aditya Chatterjee and Tanners. Taken from the album Reality Pills, the song traces a drifting figure tangled in a society that manufactures our desires and sells them back to us as destiny. Dreams are packaged as irresistible, everything is available, everything is clickable, and somehow it’s never enough. Through sporadic dance rhythms, alluring vocal textures and synthetic layers that feel both lush and slightly corrosive, “Nezovyl” captures that tension beautifully. Beneath the glossy surface, there’s a quiet question humming: if everything is curated and commodified, is real connection still possible? Or is that just another illusion glowing behind the glass?
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