Now, she deepens that world further with “SS26”, a grungy, fashion soaked new single that turns the runway into something closer to an apocalypse fantasy. In the Torso directed video, Charli xcx moves through the glamorous chaos of a major fashion show, changing looks, walking the catwalk, and watching the whole spectacle tilt toward disaster. Former Vogue Paris editor Carine Roitfeld appears in the front row and sets the tone with the line, “Fashion won’t save us. But let’s go on the runway and walk.” Abra also makes a cameo, while Charli leans into the track’s end of the world mood with the lyric “Walking on a runway that goes straight to hell.” It is stylish, strange, and sharply Charli: a pop star turning collapse into a look.

True to the HighClouds spirit, we’ve once again tried to shine a light on overlooked releases and new or under-the-radar artists alongside some more familiar names. And yes… for the second year the same artist is topping our Best Songs list. At this point, it’s safe to say we’re obsessed. All of the tracks featured here (and many others) are also gathered in our Spotify playlist, that you can find below.

Thank you for reading, listening, and sharing music with us throughout 2025. We wish you a beautiful end of the year, and we’ll be back very soon in 2026 to share even more amazing music with you.

60 Avalon – Harder To Reach Than God
59 Farao – Waiting for You
58 Reggie Devoyage – Down Town
57 Nuovo Testamento – Picture Perfect
56 Yumi Zouma – Drag
55 Boyhood – A Grand Time
54 Danny L Harle; Caroline Polachek – Azimuth
53 Fernette – Lowlands
52 Jouska – Season of Dread
51 Charli xcx – Chains of Love

50 Pearly Drops – End Credits
49 Marina Zispin – Penthouse Samba
48 Boyish – Jumbos
47 Sword II – Sugarcane
46 TOPS – Chlorine
45 Robyn – Dopamine
44 The Deep – KPOP B!TCH
43 Juliana Madrid – Jamie
42 Men I Trust – Come Back Down
41 R. Missing – Telepolartears

40 Jenny Hval – The artist is absent – 89 seconds rewrite
39 Fontaines D.C. – Before You I Just Forget
38 hemlocke springs – the beginning of the end
37 Sea Lemon – Stay
36 Georgie & Joe – Pacemaker
35 Fine – I could
34 Jessy Lanza – Slapped By My Life
33 Arny Margret – Day Old Thoughts
32 Lipsticism – Erased
31 Clara Kimera; notinbed – angel candles

30 Neggy Gemmy – Mysterious Girl
29 Joanne Robertson; Oliver Coates – Always Were
28 Hannah Jadagu – My Love
27 HTRK – Swimming Pool
26 Night Tapes – television
25 Raisa K – Affectionately
24 helen island – hot zone, regular day
23 Dean Blunt; Elias Rønnenfelt – 1
22 Cole Pulice – After the Rain
21 crushed – starburn

20 AMORE – Delirio
19 Oneohtrix Point Never – Rodl Glide
18 Erika de Casier – Delusional
17 Judeline – chica de cristal
16 Dijon – Yamaha
15 Rochelle Jordan – Ladida
14 PinkPantheress – Illegal
13 Maria Somerville – Garden
12 Ethel Cain – Fuck Me Eyes
11 Sophia Stel – Everyone Falls Asleep In Their Own Time

10 Jim Legxacy – ’06 wayne rooney
9 Magdalena Bay – Human Happens
8 snuggle – Woman Lake
7 Addison Rae – Headphones On
6 After – 300 dreams
5 FKA twigs – Striptease
4 james K – Play
3 Nourished by Time – Max Potential
2 Smerz – You got time and I got money
1 Oklou – blade bird

The project grew out of her work on Emerald Fennell’s new adaptation of the classic Emily Brontë novel. Charli said she called Fennell to ask what she wanted from her after reading the script, and Fennell “coyly suggested ‘A song?’” Charli pushed that even further: “I suggested ‘An album?’ because why not?” From there, she dove head-first into a mood she describes as “raw, wild, sexual, gothic, British, tortured.” Basically a whole dramatic universe far from the life she was living at the time. “I was fucking IN,” she wrote.

And while plenty of pop artists are currently racing to bottle the electro-clash spark of Brat, Charli xcx is already off exploring an entirely new landscape, one that dips into darker territory and brushes up against the kind of goth-tinged, noise-leaning intensity you’d hear from Ethel Cain.

She made most of the album with longtime collaborator Finn Keane (formerly Easyfun). The two worked with a guiding phrase they loved from John Cale: everything should feel both “elegant and brutal.” Keane even joined her on tour so they could carve out studio time almost every day.

“Chains of Love” reflects that exact spirit. It’s a big, emotional track built on cinematic strings and warped electronic textures, yet anchored by a simple, heartfelt melody. Charli’s filtered vocals still manage to feel deeply human, giving the whole thing a kind of romantic ache.

Charli xcx‘s new song also appears in the trailer for the Wuthering Heights film, where it sets the tone perfectly for the intense world she’s helping bring to life. February 13 can’t come soon enough.

Hey! We made a mixtape with some of our favorite bops of 2023, and we also added a few all-time favorites. Expect some good pop, dance, indie, and more, by the likes of COBRAH, Caroline Polachek, Charli XCX, Automatic, Jessie Ware, Jessy Lanza, Romy, Blue Hawaii… It’s hot, sweaty, euphoric; everything you need to slay this Summer. Enjoy!

Mixed by yours truly.

Listen and check the full tracklist via Mixcloud.

Five studio albums, two EPs and four mixtapes into her career, Charli XCX has found her niche as a pop trailblazer who occasionally achieves mainstream success. But it wasn’t always this way. In fact, few pop stars in recent memory have traversed career paths as unconventional as Charli XCX’s. At age 30, Charlotte Emma Aitchison has gone from prospective worldwide icon/teen fave who first found stardom as a featured artist to underrated underground artiste who was reinventing pop music – and back. It really is a lot.

To help tell the story of her career, we’ve chosen what we believe are the best 15 Charli XCX songs as a lead performer (no “I Love It”, sorry) – all while explaining the role they played in her career path. If you don’t agree with the below ranking, please direct all your complaints and death threats to my editor. A less violent option is to share your own ranking with us – you do you!

Without further ado, these are the 15 best Charli XCX songs:

15. “Stay Away” (from True Romance)

Back in 2011, Charli XCX’s music career was at a standstill. She had just signed to Asylum Records, a label operating under Warner Bros. that had also recently snatched Cee Lo Green and a little ginger fella called Ed Sheeran. In an attempt to kickstart her career, Asylum flew Charli to L.A., where she would go through many fruitless recording sessions with a wide array of different producers. Only one of them clicked. It was Ariel Rechtshaid, whose most flattering producing credits at the time included bottom-of-the-barrel indie landfill acts such as We Are Scientists and The Blood Arm.

And yet it was that unlikely partnership that turned Charli into the global star she is today. In their first two-hour writing session, Rechtshaid and Charli co-wrote “Stay Away”, which would become one of the highlights of her debut album True Romance. Very much a product of its time, “Stay Away” is a cold, witch-house-influenced pop song with a bizarre half-rapped-half-spoken-word verse that Charli somehow sells with a straight face. Although it failed to make a dent in the charts, the song made the artist a critical darling, with Pitchfork granting it Best New Track status.

14. “Boys” (stand-alone single)

Intended to be the second single from a third studio album that never happened, “Boys” was released to critical acclaim in July 2017. Featuring a less abrasive sound than her last two releases (the SOPHIE-produced Vroom Vroom EP and Number 1 Angel, a mixtape enlisting the help of most PC Music producers), “Boys” is a quirky and charming pop song whose main hook is a Super Mario Bros. sample – which is extremely effective, by the way. With its catchy, meme-ready chorus, “Boys” really should have been a hit, yet it peaked at 31 in the UK Singles Chart and was nowhere to be seen in the US charts. It wouldn’t be particularly surprising if it made a resurgence as some sort of TikTok trend I don’t even want to understand.

13. “Boom Clap” (from Sucker)

First released as the lead song from a soppy teen romance, “Boom Clap” is Charli XCX’s first proper hit on her own. It made the top 10 in both the UK and the USA – an impressive feat for an artist whose previous singles have failed to chart significantly. “Boom Clap” is far from being Charli’s most adventurous moment, but it’s an outstanding pop song in its own right. You could even argue that this is her version of a late-70s butt-rock song: the song-writing is painted-by-numbers anonymous chart pop, but its cranked-up-to-eleven performance is so fun that one can’t help but join the sing-along. Originally offered to Hillary Duff, “Boom Clap” paints a world where Charli XCX hangs out with Max Martin and Mark Ronson instead of SOPHIE and A.G. Cook. It was actually produced by Stefan Gräslund as well as Patrick Berger, whose name is also associated to Robyn‘s “Dancing On My Own.”

12. “Backseat” ft. Carly Rae Jepsen (from Pop 2)

For the opening track of her magnum opus Pop 2, Charli XCX enlisted the help of the only pop star more criminally underrated than her by that point. Fresh off the heels of the critical success of Emotion and Emotion Side B, the perennially starry-eyed Carly Rae Jepsen pops up in this futuristic ballad produced by easyFun and A.G. Cook. Carly’s clear and passionate soprano vocals mark a stark contrast with Charli’s heavily-autotuned voice, adding even more power to a soul-stirring song that riffs off a common pop trope: partying and sex as an imperfect antidote for heart malaise.

11. “ILY2” (from Number 1 Angel)

This is one of the few Charli XCX songs that succeeds in finding a middle point between her two worlds – the big label product who can’t quite make it to the pop star A-list and the visionary pop savant whose wildest experiments are loudly cheered on by fans and critics alike. Produced by Danny L Harle, “ILY2” is an electro-pop banger that sits in the middle of Number 1 Angel, Charli’s third mixtape. “ILY2” anticipates the late-2010s/early-2020s hyper-pop trend of appropriating corny rock trope – see the Scorpions-like guitar lick plus solo in the bridge, or the chugging power chords that flesh out the chorus further than what its minimalistic backbone could possibly do. Aided by Harle’s pristine production (it’s impossible not to be in awe of that playful synth line in the pre-chorus), this could have been a massive hit single if marketed properly.

10. “Lipgloss” ft. CupcakKe (from Number 1 Angel)

Featuring one of the raunchiest artists to ever come close to a mic in pop history, “Lipgloss” is Charli XCX at her hyper-pop best: singing about wet genitals over a harsh electronic base courtesy of SOPHIE and A.G. Cook. It also features one of the CupcakKE-est CupcakKe lyrics ever: “More flavour than Flavor Flav / My pussy is very brave.” The whole thing is a lot of fun, but it’s also much more than that – a blueprint for later albums, its instrumental bears witness to Charli’s turn to an edgier and more experimental production style.

9. “Next Level Charli” (from Charli)

The received wisdom around Charli XCX is that her mixtapes contain most of her best work while her big-label studio records are always a bit of let-down. There’s definitely some truth to that. Charli’s third-studio album was released in September 2019 under the extremely blunt title Charli – perhaps a much-expected turn to sincerity after having made the most out of the glossy veneer of her recent mixtapes? Well, not quite. Charli isn’t a bad record by any means, but it feels weirdly impersonal and voiceless – and it definitely doesn’t come close to the potential sketched out on Pop 2 and Vroom Vroom.

That being said, there are a handful of tracks on the album that rank among her best work. One of them is the first track of the record, “Next Level Charli” – one of the few songs on Charli written only by Charli and frequent producer A.G. Cook. With an ominous synth acting as an initial bang, this is more of an introduction than a proper, fully fleshed-out song. Slightly OTT on the self-referencing department but incredibly effective as a melody, “Next Level Charli” is basically Charli XCX emulating the Paul McCartney of “Sgt. Pepper’s Lonely Hearts Club Band” or “Magical Mystery Tour”. Its only verse is repeated almost a dozen times, and yet the song feels like it should be at least twice as long. How is it possible? Well, it’s Charli baby.

8. “Forever” (from How I’m Feeling Now)

Marketed as a studio album in spite of its DIY nature, Charli XCX’s fourth LP how I’m feeling now will go down in history as the first pandemic record by a big-ticket pop artist. Charli wrote, recorded and released the entire album in less than two months – a heavy contrast with the three-year rollout of a major label release. And yet there might be an argument for it as the definitive Charli XCX release. how I’m feeling now is a straight-to-the-bone, no-filler-all-killer album with Charli reining the overindulgences that had hampered some of her previous work.

Arguably her most heartfelt song to date, “Forever” is a mature love letter to a partner, a declaration of eternal love that goes beyond the natural ebbs and flow of a relationship. Its earnest lyricism and glitchy production earned it a few comparisons with fellow PC Music member Hannah Diamond – and not without reason. Like Diamond’s best songs, “Forever” is a simple, infectious song whose main objective is to reignite feelings that you thought you’d kept buried in adolescence.

7. “Lightning” (from Crash)

Charli XCX had to wait more than ten years to get a number one album in the UK. Crash, her fifth studio album and last one under her record contract with Atlantic Records, sees the British singer ditch her art-house credentials for a more straightforward dance-pop approach. For the most part, the experiment doesn’t pay off. Crash is fine, but not a lot more than that. It’s a weirdly anonymous record – one that could’ve been made by any pop star with the budget to enlist a dozen of different producers and thirty different writers. It’s not an unpleasant listen by any means, but it’s hard not to write it off as an end-of-contract fulfilment rather than a true artistic statement.

Perhaps unsurprisingly, Crash’s best moment comes precisely when Charli goes back to her roots. The only song on the record produced by long-time collaborator Ariel Rechtshaid, “Lightning” is a new wave hit propelled by thundering drums and an infectious synth line. Not even bizarre production decisions (like the wildly out-of-place classic guitar or a four-minute running time that doesn’t do the song any favours) can stop “Lightning” from being one of Charli’s best songs.

6. “Gone” ft. Christine and the Queens (from Charli)

Her first collaboration with Christine and the Queens, “Gone” was smartly picked to be the third single off Charli. Fuelled by romantic doubts and insecurities, “Gone” is basically Charli’s version of a sad pop ballad – and by ballad Charli means an epic metallic-tinged song with a 114 BPM. Produced by A.G. Cook and Lotus IV, it features relatively minimalistic instrumentation, with an industrial bass working hand in hand with the percussive metallic pangs popping in and out of scene. Mirroring Charli’s growing despair as expressed in the heated pathos of her vocals, the instrumental becomes more complex as the song reaches its final point – a glitchy outro that wouldn’t have felt out of place on Pop 2.

5. “Nuclear Seasons” (from True Romance)

Co-written with Ariel Rechtshaid, “Nuclear Reasons” is the first great Charli XCX song. It’s also extremely baffling – in a good way. I mean, to start with, the song’s main hook is an Aqua-like “oh-ah-oh” backing vocal that stands out like a sore thumb against the darkwave-inspired instrumental. A clear sign of what was to come, this is an extremely busy and fidgety song – one that is never happy to tread the same path for more than 30 seconds. “Nuclear Seasons” is the sonic representation of a nervous kid jumping from one song to another whilst browsing an eclectic yet carefully curated music library that somehow includes both Cold Cave and Britney Spears. Intelligently tacked on to Charli’s first studio album, this is arguably her best non-PC music song.

4. “Anthems” (from How I’m Feeling Now)

Of all the great songs on how I’m feeling now (and there’s loads), none of them hits the brief as perfectly as “Anthems”. Co-produced by 100 Gecs’ Dylan Brady and inspired by the teen comedy “Project X”, “Anthems” does what it says on the tin – it’s a manic party anthem that could turn a wake into a rave in a matter of seconds. Written a few weeks into Covid lockdown, this is Charli XCX at her best, an edgy but unpretentious adrenaline shot coupled with an infectious chorus. It’s bound to remain a DJ set staple for decades to come.

3. “Unlock It” ft. Kim Petras and Jay Park (from Pop 2)

Hot take: no artist in the past decade has released more high-octane pop bangers than Charli XCX. And “Unlock It” might easily be the best one. Produced by A.G. Cook, “Unlock It” is built on an incessant looped vocal hook that has the same effect as ingesting 2kgs of pure sugar in one sitting. The song operates on a similar plain as “Vroom Vroom” or “Next Level Charli”, with Futurism-inspired lyrics about going fast, kissing hard, and getting high sung over a bubbly instrumental that peaks with its rumpled, cathartic end. Including a great feature from Kim Petras and an out-of-place-but-fun verse by Jay Park, “Unlock It” can teach us all a very valuable lesson – sometimes the batshit crazy choices are the ones that work best.

2. “Vroom Vroom” (from Vroom Vroom EP)

The biggest turning point in Charli’s career, “Vroom Vroom” will always be remembered for being one of the songs that put the trailblazer producer SOPHIE in the spotlight. And for good reason. Up to that point, SOPHIE had released her fair share of bangers – including 2013’s “Bipp”, which was already rightfully considered one of the best pop singles of the decade. But “Vroom Vroom” was something else. It was messy and chaotic, and yet at its heart was a pop sensibility that brought it closer to the mainstream it was trying to tear apart. Simply put, no other producer has ever got more out of Charli XCX.

“Vroom Vroom” is unstoppable, a hedonistic whirlwind comprised of dozens of influences (from UK bass to trap) all crammed into a blender. Atop it all sits Charli, whose swaggering braggadocio and questionable lyricism (“ice cubes on our tongues ‘cos we like to keep it freezy”) are the sonic representation of a Harmony Korine film: is this for real, or is it all a joke? And if it is a joke, then why am I so moved?

1. “Track 10” (from Pop 2)

“Track 10” is such a perfect song that Charli XCX saw no problem in re-hashing it for her self-titled album as the edgeless Lizzo collab “Blame It On Your Love”. True, “Blame It On Your Love” was supposedly recorded before “Track 10”, but surely Charli and her team knew that it would always pale in comparison with “Track 10”, right? Right?? Anyway, the god-awful Lizzo version died a sweet and fast death – it peaked at no. 70 in the UK charts before vanishing into the ether of songs that should’ve never existed.

But that’s enough digression. As the closing track on Pop 2, “Track 10” wraps the project up with a neat summation of its aesthetics: emotional sincerity expressed through heavily auto-tuned vocals, a continuous back-and-forth between the low-key and the OTT, and cathartic throw-everything-to-the-wall-and-see-what-sticks moments where everything sticks. You might not think that it’s the best thing she’s ever made, (although you’d be dead wrong), but there’s little to no doubt that “Track 10” is the ultimate Charli XCX song, for now.

Over the last years, Charli XCX has become the poster girl of the hyperpop scene with four iconic mixtapes and one album. Actually, she became so close to the PC Music constellation that some of us almost forgot that she has a major deal and that she probably has to release more commercial releases, in the vein of her polarizing record Sucker. By introducing her new era with a funeral theme (there’s a grave with “March 2022” written on it – maybe the end of her contract?) and a mysterious tweet (RIP hyperpop?), the English singer-songwriter sets the tone: the underground Charli XCX is gone -“I have to go, I’m so sorry”- and leaves room for Charli the popstar. So far, her conquest of the mainstream has been pretty limited though and it’s quite surprising as she’s such a respected artist and a real icon for the queer youth.

Arguably one of her most straightforward singles to date, “Good Ones” channels the synthpop and 80s revival recently initiated by Dua Lipa and The Weeknd. Luckily, she’s dodged the boring popular trend of fake lo-fi and melancholy bedroom pop. Here, she goes for heavy “Sweet Dreams” vibes and explores her romantic flaws and self-sabotage in merely 2 minutes. While “Good Ones” is definitely not her best track, it’s not a bad thing for her to add this pop moment to her catalogue – she deserves the star treatment. She also came up with a great video, directed by Hannah Lux Davis, in which she showcases, more than with the track, her creativity and offbeat universe. It’s decided: I want Charli to dance on my dead body at my funeral.

You can also stream “Good Ones” in our EDGY POPPERS playlist.

Like every year, our team vote for their favourite tracks of the year. You can stream this list, as well as other tracks that were close to entering the top, via our Spotify and Apple Music playlists below. You can also check our Best Albums and Best EPs/Mixtapes of 2020.

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50. Julia-Sophie – “x0x”

49. Blue Hawaii – “Not my Boss!”

48. Zelma Stone – “Fly”

47. Young Ejecta – “Crayon Cactus”

46. Sedona – “Crying On My Own”

45. Zoee – “Rio’s”

44. Prince Innocence – “Angelyne”

43. Laura Groves – “Foolish Games”

42. Cindy Lee – “I Want You To Suffer”

41. Lido Pimienta- “Eso Que Tu Haces”

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40. Jayda G – “Both Of Us”

39. NNAMDÏ – “Perfect In My Mind”

38. Lomelda – “Hannah Sun”

37. Braids – “Young Buck”

36. Against All Logic, Estado Unido, FKA Twigs – “Alucinao”

35. oklou – “unearth me”

34. Kate NV – “Sayonara”

33. Agar Agar – “Nap”

32. Annie – “The Streets Where I Belong”

31. Beadadoobee – “Worth it”

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30. TOPS – “I Feel Alive”

29. Yves Tumor – “Gospel For A New Century”

28. Dua Lipa – “Physical”

27. Cakes da Killa, Proper Villains – “Don Dada”

26. Namasenda – “Wanted”

25. Ultraflex – “Never Forget My Baby”

24. Shamir – “On My Own”

23. Discovery Zone – “Dance II”

22. Couch Prints – “Of Drawing”

21. Nilüfer Yanya – “Crash”

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20. Cindy – “2y & 6m”

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19. Bullion – “We Had A Good Time”

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18. Kelly Lee Owens – “Melt!”

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17. Phoebe Bridgers – “Garden Song”

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16. Waxahatchee – “Can’t Do Much”

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15. Maria Minerva – “Apology”

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14. Shygirl – “FREAK”

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13. Jónsi, Robyn – “Salt Licorice”

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12. Perfume Genius – “On The Floor”

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11. Ela Minus – “Megapunk”

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10. Romy – “Lifetime”

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9. SAULT – “Wildfires”

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8. Soccer Mommy – “circle the drain”

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7. Eartheater – “Below The Clavicle”

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6. Helena Deland – “Comfort, Edge”

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5. Fiona Apple – “I Want You To Love Me”

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4. Charli XCX – “Forever”

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3. Dehd – “Loner”

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2. Christine and the Queens – “People, I’ve Been Sad”

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1. 070 Shake – “Guilty Conscience”

Let’s not beat about the bush: 2020 was the worst year of my life and I think it might be the case for a lot of people around. As a music fan, not being able to attend any concerts, seeing some of my favourite venues and festivals endangered and reading that up and coming talents are struggling more than ever has been a big bummer. I’m not even mentioning all the emails starting with “hope you are well during these strange times”. Well, guess what? We aren’t!

Even if we have spent most of our time locked at home, streaming more music than ever, not sure the smallest DIY artists will see the difference when they’ll receive their royalty revenues. All of that to say that artists need you more than ever. As we always repeat it, streaming is good but it’s not enough. Buy your vinyls, cassettes and merch and so on on Bandcamp special days (so they get 100% of the amount) or via your local record store (yes, they’re also having a hard time), attend virtual shows or, even better, send direct tips to the artists.

Some good news, though: 2020 has been pretty amazing music-wise. While it’s not always easy to support everything or to keep up with all the weekly releases, our staff tried their best to introduce you to some promising up and coming talents and bring the best new music to your ears throughout the last 12 months. Today, we are presenting our favourite EPs and mixtapes of 2020, with some obvious picks and a few overlooked discoveries to keep an eye on in the future. Thank you for reading us. Hope you enjoy and discover some cool new stuff. You can also check our Best Albums and Best Tracks selection.

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40. Ferrari Garden – “Longest Slow Dance”

39. ascendant vierge – “Vierge”

38. quinzequinze – “Le Jeune”

37. Sedona – “Rearview Angel”

36. Gabriels – “Love and Hate in a Different Time”

35. Julia-Sophie – “y?”

34. Pearly – “prettydarksexymusic”

33. Sports Boyfriend – “Seek No Answer”

32. TDJ – “TDJ001”

31. Zsela – “Ache of Victory”

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30. Sofia Kourtesis – “Sarita Colonia”

29. Bumper – “pop songs 2020”

28. Planet 1999 – “Devotion”

27. Alaska Reid – “Big Bunny”

26. Tomberlin – “Projections”

25. DVC Refreshments – “Hits Only”

24. Isla Den – “Virtual Garden”

23. Alpen Glow – “Amertape 2020”

22. Lysandre – “Maison-Dieu”

21. Forever – “Close To The Flame”

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20. Nilüfer Yanya – “Feeling Lucky?”

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19. Shygirl – “Alias”

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18. 박혜진 Park Hye Jin – “How Can I”

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17. Molina – “Vanilla Shell”

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16. Murmur – “Behind Your Back”

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15. Jockstrap – “Wicked City”

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14. Magdalena Bay – “Mini Mix, Vol 2”

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13. Isola – “EP1”

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12. Penelope Trappes – “Eel Drip”

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11. Eris Drew – “Fluids of Emotion”

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10. Couch Prints – “Tell U”

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9. Blue Hawaii – “Under 1 House”

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8. Japan, Man – “The Bad Days”

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7. Christine and the Queens – “La Vita Nuova”

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6. Charli XCX – “How I’m Feeling Now”

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5. Zelma Stone – “Dreamland”

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4. Laura Groves – “A Private Road”

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3. Yaeji – “WHAT WE DREW 우리가 그려왔던”

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2. oklou – “galore”

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1. Bullion – “We Had A Good Time”