Tag: Vic Mensa
The Deer Du Bois playlist #167: Cut Copy, johan x vic mensa, CUT_, Smerz…
Every Wednesday on HighClouds, from now until death do us part, we publish the much-awaited and surprising playlists of our
KAMI and Vic Mensa release “Right Now”, a real anthem of resilience
Chicago’s SAVEMONEY collective has been responsible for some of the best and most innovative hip-hop of the past several years,
HighClouds: 20 Favorite EPs of 2016
Second part of our music-nerds end of the year lists, here are the HighClouds team’s 20 favorite EPs of 2016,
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Plaster Cast contemplate loneliness with dreamy and funky dance cut “Waves”
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Marci’s debut album is finally here to help us feel happy again
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Belgian band MAUGER bring anthemic indie rock back with “Ma Ja”
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Marci shares new single and video “Pass Time”
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Explore the quiet, thoughtful world of Florist
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Channel Tres teases new album, shares “Just Can’t Get Enough”
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Out this week: Fleur Electra, NoSo, Wet, Rapport and more.
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Pet Owner dissects relationships on summery second single “Helping Hand”
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Out this week: Bonnie Banane, Freak Slug, DJ Sabrina The Teenage DJ, Twen…
![Even if Caitlin Brown grew up in the “the UK’s sunniest town”, for what it’s worth, the musician and producer’s childhood was no picnic. As a young neuro-divergent and LGBTQ+ person, their coming of age was marked by isolation and boredom. Their music project, pinkpirate, was a way to overcome these feelings. Following a series of self-released tracks, including the successful “Nowhere” in 2021, Brown is now readying the release of their new EP, i don’t want to grow up boring, out in September via [PIAS] Recordings. After “Do You Want It All?”, they just unveiled a new track off the project, “Daisy”, which was also co-produced by Bullion. It comes with a Theo Batterham-directed video, shot in the LGBTQ+-friendly city of Brighton, with their partner.
“I started writing ‘Daisy’ when my girlfriend joked about me writing a song for her within the first few weeks of our relationship,” stated Brown about the track which depicts a positive queer romance. “I wanted to try and capture the innocence of a brand new relationship, especially within a WLW relationship that is often seen in a sexualised or demonised way.”
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